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Atlas of Animal Anatomy for Artists, by Wilhelm Ellenberger
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"Highly recommended as one of the very few books on the subject worthy of being used an an authoritative guide." — Design
"Illustrators, sculptors, and taxidermists who draw or model animals will welcome this new revised edition." — Natural History
Here are 288 remarkably lifelike drawings of animals, furnishing artists and students with an easy-to-follow method of instruction in the drawing of horses, dogs, lions, cows and bulls, stags, and goats. So detailed and so accurate are these drawings that this book has long been a classic work of its kind.
The animals are shown in three ways: external full views and dozens of details (paws, head, eyes, legs, etc.); beneath-the-skin drawings of musculature and of the positions and insertions of each muscle; and skeleton drawings of the bone structures that support and determine surface contours and configurations. In addition, special cross-sections dissect those portions of the animal — such as the head and limbs — that are most important to the artist.
For this edition, Lewis S. Born of the American Museum of Natural History collected 25 plates from George Stubbs's Anatomy of the Horse, long unavailable; Straus-Durckheim's Anatomie Descriptive et Comparative du Chat; and Cuvier and Laurrillard's Anatomie Compar�e. These plates, as fully annotated as the plates that make up the original book, supplement Ellenberger, Baum and Dittrich with anatomical drawings of the monkey, the bat, the flying squirrel, the rat kangaroo, the seal, and the hare. Mr. Lewis also provided a new preface and added to the annotated bibliography, which now contains 66 items.
- Sales Rank: #4030708 in Books
- Published on: 1956-06
- Original language: English
- Number of items: 1
- Dimensions: 12.25" h x 9.25" w x .50" l,
- Binding: Hardcover
- 151 pages
From the Back Cover
Here are 288 remarkably lifelike drawings of animals, furnishing artists and students with an easy-to-follow method of instruction in the drawing of horses, dogs, lions, cows and bulls, stags, and goats. So detailed and so accurate are these drawings that this book has long been a classic work of its kind.
The animals are shown in three ways: external full views and dozens of details (paws, head, eyes, legs, etc.); beneath-the-skin drawings of musculature and of the positions and insertions of each muscle; and skeleton drawings of the bone structures that support and determine surface contours and configurations. In addition, special cross-sections dissect those portions of the animal—such as the head and limbs—that are most important to the artist.
For this edition, Lewis S. Born of the American Museum of Natural History collected 25 plates from George Stubbs's Anatomy of the Horse, long unavailable; Straus-Durckheim's Anatomie Descriptive et Comparative du Chat; and Cuvier and Laurrillard's Anatomie Compar�e. These plates, as fully annotated as the plates that make up the original book, supplement Ellenberger, Baum and Dittrich with anatomical drawings of the monkey, the bat, the flying squirrel, the rat kangaroo, the seal, and the hare. Mr. Lewis also provided a new preface and added to the annotated bibliography, which now contains 66 items."Highly recommended as one of the very few books on the subject worthy of being used an an authoritative guide."—Design
"Illustrators, sculptors, and taxidermists who draw or model animals will welcome this new revised edition."—Natural History
Enlarged (1956) edition, revised by Lewis S. Brown, American Museum of Natural History.
Most helpful customer reviews
38 of 39 people found the following review helpful.
Incredible, invaluable!
By Tobe
I wanted a book that specifically focused on horses. Anyone
whose drawn horses, even for years, knows that getting this
animal down pat is no easy feat. Studying anatomy is a must.
This is THE book.
I have so much respect for the person who drew these plates.
It's astounding work. The anatomy is shown from every angle;
starting with skeletal plates, adding muscles and so forth,
these plates "build" the horse from the inside out. After
studying the legs I cut myself some slack! This is a very
beautiful, complex animal. No wonder this is such a challenging
subject!
There are smaller additional sections on a few animals as a
bonus. I found the cat skull study to be immensely helpful.
I don't recommend this book for anyone who wants a how-to
on every animal in the world, this isn't for you. Nor is it for
beginning artists. It is for serious artists who want to do
in depth study of horses because we can't all just walk outside
and see horses everywhere. There's nothing like the real thing,
but this is a good second choice when the real thing isn't
available for study.
This is one of those books that I actually revere and am very
proud to have in my reference library. A serious resource for
serious art study.
30 of 31 people found the following review helpful.
Detailed and accurate
By Michelle Staples
This book has been an enormous help with both drawing and sculpting. My only complaint is the narrow range of species. The book is heavy on horses, dogs, lions and cows. I'd like to see more variety - giraffes, perhaps?
18 of 18 people found the following review helpful.
A Narrow Scope, But The Highest Level Available
By Marshall Vandruff
Here's my review after teaching Animal Anatomy for Artists in universities for fourteen years, as well as to concept artists, animators and modelers in game corporations.
These are the most authoritative and beautifully rendered plates available.
But let me list the limitations and irritations:
1) The terms are on separate pages from the plates. It's maddening to go back and forth between pages to find the names!
2) The book will not teach you how to draw. You must learn that from Hultgren and the Cortina Famous Artists' Library and Joe Weatherly & Glenn Vilppu... and if you'll allow the plug: me.
3) The names of bones and muscles are not consistent with modern terms.
4) It's mainly Horse, Lion & Dog, and a few others, some of which are drawn by artists inferior to Ellenberger.
So don't go to this book for variety. Go to it for comprehensive anatomy. It will save you years of dissections.
And - it's the most sensitive pencil rendering I've ever seen. Ellenberger is more subtle in modulating surface changes than Escher or Ingres or anyone. I've looked at these plates for countless hours with critical eyes and I always end up admiring them more.
It belongs in every animal artist's library, along with Eliot Goldfinger's book which balances out the shortcomings of Ellenberger. Both books are for the ambitious artist, who will find them worth a hundred times what they cost.
- Marshall Vandruff
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